I usually say there are three types of stories. If I'm asked.
But sitting in a police car today (in the front seat!) reminded me that there's another type that I've avoided considering, basically because I hadn't got my head round that type of story: what do you do with a 'story' that actually you can't find any useful meaning or applications for? That just doesn't have any visible purpose, a story that you can't understand?
All along I've been focussing on how the stories we use influence those we tell them to. But it takes two, doesn't it? Something happens in me when I tell the story. So there's another kind, a fourth: the story that just makes me feel better for telling it.
You have to be careful with these stories that just can't be understood or explained. On the estate we lived on in Chattanooga, we put up with a long-lasting and confusing racist effort to get rid of us (Ray being English, me being... well, not a redneck.) I never could understand it, so I decided a long time ago not to tell it anymore. To put it behind me, so it wasn't a part of me, not one of the stories that make up who I am.
Back to today. We chose the girls' nursery school because it sits in such a lovely little country setting, in the orchard of the disused Hall. It's one of the most picturesque villages in the county, full of thatched cottages, and very exclusive - the family who lived in the Hall still own most of the area, and from what I'm told you don't get to move in unless they choose for you to. We hear woodpeckers on our way in, and see rabbits and pheasants and deer.
So it's not really the place you'd expect to encounter road rage. But a man who lives in one of the cottages on the other side of the orchard from the nursery this morning decided he wasn't happy with all us parents driving in, and started the morning by blaring his car horn as he came up the drive. I saw this happen. I saw the hand gesture. And then when I came back out to find out why all the 'traffic' (maybe five or six cars) was backed up on either side of this junction, I found out that he'd slammed on his brakes and reversed into the car that had been coming in behind me. While I was standing out there talking to Nicole's dad, the victim, the angry man came across and began threatening me.
I was shaken. I gave my statement to the police. After a couple of hours when they went back to visit him, the guy was regretting what he'd done, and everyone was satisfied that he should get away with a ticket, a mark on his record, and a fine. I said to Nicole's dad, 'It's like with the girls - we never know how hard we have to come down on them to make them start behaving. Do we really need to push for more?' Personally I just wanted it overwith; I didn't want him nursing a grudge while he waited for a court date.
But while I was waiting to find out that it all ended okay, I just kept wondering, why? And remembering that we never know what's going to happen in a day.
And when I got my girls back, the hugs meant so much more.
I've told the story a couple of times now. I'm starting to feel better. But there's no moral there, no lesson to be learned. Just an opportunity for me and the listeners to shake our heads in disbelief. It's not necessarily that the story shouldn't be told. I'll just tell it, get over it, and then stop. Stories may make us who we are, but our responses decide just how they become a part of us.
after all. Cause this isn't it. 
