I'm reading Margaret Atwood again. I revisit her periodically. Depending which work you start with (you should start with TRB, by the way), you might think that she writes feminist manifestos. Or that she's just man-bashing. But over time I've come to think that she feels sorry for men, after all, they're up against these formidable women who crush and destroy each other. Men are caught in the crossfire of women who are hurting each other. It's almost anti-feminist. Men are okay. Women are dangerous.
In the seventies, in Tennessee, 'woman power' wasn't really a movement we saw much of. Maybe it was the unusual circumstances of growing up around an artifically-created community that made me assume my rights as a girl. I recall there were a few enlightened people around me who would try to help me see.
'You know, Tracy, you can be anything you want to be, even though you're a girl.'
I remember sitting on the floor in the big kindergarten room at Claxton School, thinking this person was very strange. Of course I could. How could they ever even question that I would be limited? If anything being a girl would make it better.
'Astronaut, firefighter, doctor...' they would say.
It wasn't even worth talking about. 'What are we playing next?'
At home we played with our tiny Fisher-Price 'Little People' toys for hours. Between us my brother and sisters probably spent years of our lives crouched on the floor, digging through the various cardboard boxes that served as our toybox. We called the game 'peoples.'
As in, 'Do you want to play peoples?' and 'He messed up my people!'
We had favourites: the lady in the blue dress, the man in the green suit, the girl in the yellow dress. The boy with the red saucepan on his head we called Chuck. All in all we learned to share the population we had, and be happy with it.
Thirty years on, thoughts about gender have evolved, and FP has refreshed the figures too. In our house now we have loads of them. Elena calls the game 'ladies.' From 13 months old, she has only played with the female figures. We occasionally have debates about whether some of the figures are ladies or men, but she's generous and is usually happy to let the androgynous have the dignity of being ladies, and joining the game. The men get bit parts - they stand outside of the complicated rings she forms, or fill in numbers, only after she's used up all the girls.
I'm very lucky I've had few of Margaret Atwood's vicious ladies in my life, and loads of strong, sound, beautiful women who it's a pleasure to know. Life's worked out more like when we played on the red shag-pile carpet, with lots of happy people of both genders, sometimes more funny looking than others, but always good to have around.